2022 was the 100th anniversary of the first country music on the radio and the 100th anniversary of country recordings by Eck Robertson and Henry C. Gilliland, as well as lesser-known artists like William B. Houchens. I turned 50 in 2022, but it boggles my mind to realize that I’ve been around for half of the “country music timeline.”
It’s unsurprising that I don’t feel any connection to the young artists who largely dominate country radio, streaming, and social media. I long ago felt that I had “aged out” from mainstream radio, but streaming and social media favor an even younger demographic than radio. I see no point in even attempting to keep up with a bunch of acts half my age, and that’s just as true of the “indie scene” as it is the mainstream. I don’t fit with the “country music is dead” crypt keepers who attack everyone born after 1950, either. I’ve never really fit anywhere, anyway.
I’ll probably continue to post occasionally, as I did in 2022. I do still go to some shows. Over Christmas break, I saw Grammy-winning zydeco artist Chubby Carrier and I saw Nathan Best, who won a Grammy for his part on the “O Brother” soundtrack. Neither is a “country artist,” but both were very enjoyable.
I hope to see a good variety of music in Texas this year, plus I plan to visit Nashville a couple of times, and I plan to see at least one concert in Oklahoma.
One can argue whether the country music industry timeline began in 1922 or even earlier, but certainly 1923 is the year when it really took off. Artists such as Fiddlin’ John Carson, Henry Whitter, Wendell Hall, John Baltzell, and Jasper Bisbee are featured on my playlist, 1923 Country Music:
Best wishes to all of you for the new year. As always, enjoy the music!