Grammy voters excluded country and other roots music in favor of urban styles for “general field” categories. This was the first time in well over a decade that country had zero representation in the “general field.” Good luck trying to find rock or jazz or blues or folk or whatever “Americana” is, either. There’s urban style, and pretty much nothing else. That’s not very “diverse,” is it ?
In the country and related categories , the biggest story appears to be the puzzling exclusion of Miranda Lambert in the country album category. To my mind, Chris Stapleton and Miranda Lambert should have held the strongest claims for this award. Chris had the best sales, and the greatest impact on the genre, but Miranda had a more expansive album than any of the nominees, at 24 songs.
Alison Krauss’ two nominations are worth mentioning. She owns the most Grammy awards (27) of any woman in any genre in history. Radio ignored her album, yet she also doesn’t really fit the mold of most of the independent scene.
My pick for Americana album would have been “Way Out West” by Marty Stuart And His Fabulous Superlatives. Aside from being one of the best live bands in any genre, they created a quality album that highlighted distinctly American themes.
My pick for “American Roots Song” would have been “Going Back to Bristol” from Mac Wiseman and friends. When I think of “American Roots Music,” Bristol is one of the first places that comes to mind, and it is amazing to think about the fact that Mac Wiseman was born before the Bristol Sessions.
For bluegrass album, even though I’m a fan of Rhonda Vincent and believe she deserves to be an Opry member, I have a hard time getting behind a live album over studio album competition. The Stringdusters featured more interesting songwriting than one usually finds in bluegrass, and the soon-to-be-86 Bobby Osborne is a legend.
I’ll also mention the New Monday crew at Nashville’s Station Inn. Larry Cordle grabbed a nomination for Roots Gospel Album. You’ve probably heard some of his country songs like “Murder on Music Row.” Carl Jackson wrote and produced “Arkansas Farm Boy” on Glen Campbell’s final album, and has a nomination for Best American Roots Performance. Carl’s goddaughter Ashley Campbell is releasing a new song this Friday.