Happy Halloween!
Here is my all-genre Halloween playlist:
I had a little time this morning, so I made some creepy sounds myself:
Yesterday, my brother and I went to Lucktoberfest at Willie Nelson’s Luck Ranch. Lucktoberfest was originally advertised as a ten-day event, but tickets weren’t moving, so they changed everything around and made it a three-day event. Yesterday was the third and final day of the event and my first time to visit the famous venue. The third day’s lineup was the only real “Oktoberfest” lineup of the three.
The weather was perfect. We saw some of the best Oktoberfest bands in Texas, most of whom we’ve seen before in New Braunfels.
Yodelblitz was up first and they always deliver a fun time. Country fans will especially like their version of the Tammy Wynette hit “Stand By Your Man.” They brought a full range of folk instruments, such as saw, cowbells, and alphorn. They play three sets of cowbells!
Houston dance troupe Tanzenfest Volkstanzkreis was up next. This was our first time to see this young group. They specialize in German folk dances and give some background to each dance. If you want to see schuhplattler in Texas, check them out.
AlpenMusikanten was up next. We’ve seen them before at Wurstfest. A couple of the band members are originally from Austria. Like the other acts we saw yesterday, they feature a lot of yodelling. They began thirty minutes earlier than the time listed on the schedule online, so the crowd was unusually light at the beginning of their set. Fortunately, we happened to go over there early.
The Walburg Boys are another act we saw last year at Wurstfest. The bandleader is originally from Germany and is another great yodeller. He owns the Walburg Restaurant and Biergarten, which is a popular venue for Texas Oktoberfest bands. They covered Charlie Daniels and Merle Haggard with some alpine yodelling added in for good measure.
Krause’s Cafe of New Braunfels sponsored the Lucktoberfest maßkrugstemmen, the traditional stein holding competition.
During the short break before Alex Meixner’s set, Slim Whitman music played over the speakers, which was a cool extra.
The Alex Meixner Band was one of the headliners, and they played two, action-packed hours. The polka hall of famer always delivers a good show. This time, he brought along guests Walt and Tina Wilkins and Sunny Sauceda. I’ve seen Walt Wilkins at Gruene Hall and Cheatham Street, and I saw bluegrass group Balsam Range cover one of his songs a couple of weeks ago. Tina Wilkins is a very good singer. This was my first time to see Sunny Sauceda, award-winning Tejano accordion player. The duets with Sunny playing button accordion and Alex playing piano accordion are beyond energetic!
Alex Meixner and Sunny Sauceda did a duet of “Alabama Jubilee,” a song with a remarkable history. It was first recorded by Collins and Harlan in 1915, so it predates the “official country music timeline.” In 1976, Tony De La Rosa recorded a version of the tune as “El Circo,” and many Tejano artists know the tune by that name. The Skillet Lickers recorded a version of”Alabama Jubilee” in 1926. In 1951, Red Foley had a number 3 country hit, which also crossed over to pop charts. In 1981, Roy Clark released an instrumental version of “Alabama Jubilee,” which earned him his only Grammy award. Roy Clark had released a version of “Alabama Jubilee” in 1964, but it didn’t chart.
Shinyribs was the final headliner, closing the festival with a very shiny 90-minute set (which was scheduled for just an hour). Shinyribs and Alex Meixner were originally on different days, but when the festival shrunk from ten days to three, they ended up on the same day. Shinyribs isn’t a typical Oktoberfest performer, but then again, Shinyribs isn’t typical, in general. There was yodelling and pedal steel and horns and soul singers and covers of everyone from Eddie Rabbitt to Rihanna. After the show, he did a solo encore tribute to Jerry Lee Lewis with a cover of “Middle Age Crazy.”